Art, Business and Legacy of Beauty

Many people in America trust that they no longer have time for artwork. My reaction to them is that if America has the time for – right-wing radio speak shows, tele-evangelists, political correctness, persona psychology, and global warming deniers – then it most clearly has the time for art, which consumes a good deal less assets than this sort of things and effectuates ways greater application.

Renaissance Italy, with a population of three million and in keeping with a capita GDP of $1,000 a yr, had the time and the resources for the Sistine Chapel, St. Peter’s Cathedral, and any variety of undying masterpieces. Likewise, with a population of 300 million and per capita GDP of $45,000, America has the human and fabric sources for 300 Sistine Chapels. Why do we now not see works of comparable caliber being produced?

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Much of its miles are a result of anti-artistic thinking. Some people in America trust that there is no price for art. Yet those same human beings assume that there’s a fee for things that can be much more expensive than artwork and ultimately destructive – items along with proper-wing radio talk indicates, tele-evangelists, political correctness, persona psychology, and international warming denier enterprise.

Another contributing thing is hostility between a few in art and a few in business. Many artists see business people as scoundrels, and several business people see artists as bums. That ought not to be. Art and commercial enterprise need to paintings together, and when it does paintings collectively – as became the case in the Nineteen Twenties – the result is a legacy of embodied splendor. The 1920s, many stunning homes and machinery were produced, including the Chrysler Building and the Packard. Are we less talented than human beings in the 1920s? Now not. There have been quite a few stupidities in this trouble, which folly falls as much as humans like me to address.

If humans in the Twenties, or throughout the Italian Renaissance, could produce exquisite works of beauty, then so can the contemporaries. There is more wealth now than ever in history, and some of this wealth ought to visit, creating beauty. Beautiful homes, stunning machinery, stunning artwork, stunning interiors, lovely literature, beautiful film, beautiful tracks, and lovely software programs are all things people these days can easily have enough money for. Much more so than either throughout the Italian Renaissance or in the 1920s.

The more beauty is produced, the fewer sources need to visit psychologists, preachers, and practitioners of political correctness to ruin human beings’ yearning for beauty. The extra cash is saved, and more benefit is completed. Not only does this make sense aesthetically, but it also makes experience economically. For what’s a pittance in phrases of present-day wealth, maybe created a massive legacy of beauty. And that would no longer gain the contemporaries; it might also benefit the contemporaries’ reminiscence within the minds of the future generations. They will look at all of the splendor created and thanks to the people who’ve made it. We will have finished a proud legacy.

Instead of preventing each other, the business person and the artist should make paintings together. Every time they did within the beyond, the outcomes were amazing. So, ultimately, both the businessman and the artist are part of an identical pursuit: To benefit and add to existence. The businessman actualizes humanity’s productive potential, and the artist actualizes humanity’s innovative potential. And it’s time that each event sees that about the other and discovers ways to get along.



Writer. Extreme twitter advocate. Hipster-friendly food expert. Internet aficionado. Earned praised for my work analyzing Yugos for the government. Spent 2002-2008 short selling glucose with no outside help. Spent several months developing strategies for xylophones in Ocean City, NJ. What gets me going now is supervising the production of cod in Cuba. Spoke at an international conference about supervising the production of inflatable dolls in Hanford, CA. Spent two years short selling cabbage in Tampa, FL.